Travelling Back in Time: Jojawar

December 27, 2014: What a sweet little village. A shrunken version of the city chaos, plus the smells of what one might expect living with camels and cows and dogs and pigs and a dearth of what the West considers clean. The chai is pure heaven, brewed magnificently by a man so content to serve his foreign guests. I want to take him home with me and show the baristas how it’s really done… and I am almost embarrassed to pay the mere 10 Rupees for the cup. The smile on his face as he serves is magic. It conveys the spirit of every chai wallah and passer-by I have encountered here. As if they don’t realize what homage and honor and something like awe that I feel in visiting their homeland.

Here, the Havelis are called rawlas – and ours was lovely. I suppose the world is enraptured with old American cars. Greeting us at the rawla was an immense courtyard, high white stone walls accented with pink roof tiles and awnings, juxtaposed against bright spring-green grass and a deep cobalt sky. The antique Ford sits in the car park as a statue in a museum; a symbol of wealth and culture and worldliness that lies behind the gate, keeping out the real world that lies just a few metres beyond the dusty entry where the cows graze for food, dogs copulate and pigs mill about.

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The natural world’s colors are mirrored in everything, in this land of duality. Austere and generous souls. Holy and capitalist. Poor, yet content with the world as it is. Women in rainbow-colored glittering saris work the fields, flanked by cows and egrets. I am travelling within a proverbial postcard that one could only believe is real by experiencing it first-hand. This place does not look real to me, and it feels wholly surreal even after so may days of immersion.

If nothing else, the British left India with a brilliant railway system that criss-crosses this enormous land and connects the large cities to these timeless villages. To travel India by rail (or at least part time) is to experience another side of the culture and perhaps even a rite of passage for a traveller here. The sight-seeing train ride between two spectacularly rural stations gave a panoramic view of the Araveli hills via breathtaking passes, pitch-black tunnels – the high-pitched shrill of local children’s excited shrieking voices echoing in the dark will stay with me each time I ride a train through a tunnel – and sweeping views of the countryside, its desert-scruff meeting the smoky haze of the pale blue sky. This old train makes me somehow nostalgic for simpler times as the sound of the wheels on old tracks creates this meditative soundtrack to the landscape rolling by my window.

Falling in Love…AKA I (heart) Udaipur

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The haveli mansions of the Rajput families stand out from the stone and stucco buildings with their intricate latticework and gates, painted facades and romantic windows. If I wasn’t already, I think I fell in love with India in Udaipur. Times Square meets The Flintstones. Venice meets Bollywood. Palaces and henna and food and kingfishers (the beer; the birds we save for a later date)…oh, my!

This was a funny day… it started with bleating. A goat tried to get into the lobby of the hotel. He was thwarted of course, but the hooves and the bleating and the hotel manager’s yelling trying to get him out… And so I woke up laughing. Today we toured the fabulous palace on the lake. Meandered through the old town and appreciated its happy chaos. I bought a Rajasthani miniature painting, had a Ganesha painted on my fingernail by a miniature master and had my hand hennaed. Today was a good day.

2015-01-26 20.39.33Rajasthan in general, and Udaipur specifically, is famous for its miniature paintings. These artisans use meticulous skill to paint in minuscule detail on every square inch (centimeter) of the canvas, be it silk or antique paper, resulting in micro-masterworks accented in gold or silver, using cow urine and vegetable dyes as paint colouring. Their brushes are hand-made from squirrel fur (apparently, one must distract the squirrel with a nut or sweet in order to snip its tail hairs…this is a process in itself!). These paintings tell the stories of Mewar (Udaipur) royal families, of hunts and of love. Three symbols depict Rajasthan: the horse (for power), the elephant (for luck) and the camel (for love). Legend has it that if you can love (the smell of) a camel, you can love anyone! These spirits run deep in this area and you see paintings of these icons everywhere.

In this place where the moon lays on its back to ask for a belly rub, the sun sets on a palace and the city by the lake draws you in and grabs you by the heart chakra.

Dinner was the best food yet, eaten sitting on a balcony overlooking the lake; we stayed to drink Kingfisher beers and laughed for what seemed like hours. A tuk tuk is always an adventure. Riding with 3 new friends with a head full of beer is the best kind. The back roads of Old Town Udaipur are narrow. There are cows, motor bikes, more tuk tuks, dogs, goats and cars… Driving: the dodging and weaving, slowing and gunning it, is an artform here. Also the backing up and maneuvering around said road obstacles in order to get to our destination. Happy chaos.

Though (maybe because?) I have become more acclimated to this foreign land and more accustomed to the numbers – of people, cows, horns, dogs, all the stuff…the rhythms of each city and village we visit become more evident – the rhythms of everyday life thunder within, like absorbing the pulse or the heartbeat of this overwhelming yet enrapturing place. The absurdities of everyday life become tolerable. Even here where the absurd seems much more evident to the outsider, it becomes an important part of the pulse, like comic relief and even a necessity akin to the air we need to breathe. India is a place where you must pay attention. You must be present. You must allow. Chaos is going to happen whether you participate or not, whether you fight it or not. So amidst the the debris and noise and chaos, there is this pervasive sense of humility and OK-ness. This, I suppose, can be interpreted as peace. Like the lotus which thrives amidst and maybe even in spite of the debris on the surface, its roots reach down to find that grounded place to take hold.


*Note: I should address the swastika here. You see swastikas everywhere on entrances to buildings, temples, homes and havelis. In Sanskrit, the word svastika is a symbol of good fortune, luck, strength and is used as a talisman of good luck and well-being. That the Nazis maligned the sentiment is light years beyond an understatement.

The Hidden Fortress at Kumbhalgarh

December 25, 2014: Christmas day at Kumbhalgarh Fort.

Kumbalgarh. First, the facts: this hidden fortress sits at an amazing 1100 metres, and is built of stone and marble. It is jaw-dropping and there are not enough words to describe the largess juxtaposed with its intricacy (every surface is hand-carved) and relative invisibility (you do not see the fort until you are at the gate). The surrounding wall is the 2nd largest to the Great Wall of China. There were 7000 cannons in its day and 8 galloping horses could run side by side across the width on parts of the wall. Immense and humbling is an understatement. Lonely Planet tells me that it is possible to walk the entire wall, and that there are 360 temples within its bounds – some dating back to the 2nd century BC. This place is old and breathtaking. I don’t think the pictures will ever do it justice.

These fortresses were the strongholds of the kingdom as well as regional castles. Hence, within the walls lie smaller palaces, residences and temples as well as the main palace with its multi-level courtyards, intricately-carved and stunningly-decorated living spaces, purdah palaces (women’s chambers, dining halls and more courtyards), kitchens, sleeping chambers, entertaining halls, king’s quarters and those special chambers optimally configured, blessed and decorated for the creation of next-generation Rajput kings.DSCF1992

From the top of the fort you can see the rolling Aravalli Hills unfold, revealing temples and humble abodes that still appear to be working homesteads all these centuries later. This is the spectacularly simple beauty of Rajasthan, a 1000+ year old state that functions in the 21st century as if the greater universe does not exist. Or is it that when you enter the gate of Kumbhalgarh, you are time-travelled to the land of princely kingdoms and the outer world indeed ceases to be?

I was introduced to a fruit today called the custard apple – it is like lychee meets artichoke and is delightful. These we hoard on the bus, then we travel onward to Udaipur: city by the lake. We check into the Hotel Mahendra Prakash, another haveli and I feel a sense of warmth and comfort in the tile inlay walls, the curtained window seat…this hotel has a wonderfully inviting lobby, garden-lounge and even a pool. There is a cultural show this Christmas evening featuring Rajasthani dancing and puppetry. From the description, I fear that this is the kind of tourist attraction I’ve been dreading, but I am so relieved that perhaps 97% of the audience is Desi (Indian!). It is a holiday week and who doesn’t like dancing and puppets? So we watch the cultural show at Udaipur’s Bagore Ki Haveli on the lake. I want to stay in this city forever.

WiFi and Skype are much appreciated this Christmas night, and thanks to the time difference I am able to wish family and friends spread across the globe a happy holiday in their respective time zones. Deeply grateful for the voices across the magical interweb, I go to sleep with a smile on my face and think I’ve made the right decision coming here.

Christmas Eve 7000 Miles from Home

December 24, 2014: On this Christmas Eve it is work to put aside thoughts of my dad, whose birthday is tomorrow… I immerse myself in Indian culture, partake in a traditional Bisnoi opium ritual (watered down for the tourists, I’m sure) and spend the morning viewing hand-crafted wares in this off-the-beaten-track Rajasthani village. There was the man making hand-thrown pottery on a stone potter’s wheel that could easily have been the one his great-great-great-great grandfather used all those generations ago. The weaver and his beautiful rugs. The journey through these villages is like stepping into a time machine and going back 500 or more years.

En route to the Jain temple, we stop for a short visit to the “biker temple.” Story has it that a man called Om Banna, was killed when his motorbike hit a tree. As the story goes, the motorbike that was being held at the police station disappeared periodically, despite being locked away, and was found at the crash site. There is folklore of good deeds and good fortune bestowed by a man called Om. On the side of the highway, somewhere between Jodhpur and Ranakpur, there is a temple honouring this Om. And amidst the incense and chanting and drumming and fanfare of Om believers and hawkers selling truck decorations, there is a young couple being blessed by the guru before their wedding. And in the back of this very rustic temple stands the Royal Enfield Bullet motorbike, encased in a glass box.


Jain temples have a distinct look, like an ice cream sundae or hand-sewn lace or marzipan or…what? They just don’t look real. This is the Sheth Anandji Kalyanji Trust Jain Temple in Ranakpur. The intricacy of the carvings is mesmerising. The volume of marble used is astounding. In hindsight I think the craftsmanship here rivals that of even the Taj Mahal itself. At every corner, there are new marble wonders: pillars, elephants, lattice work, gargoyles, dizzying ceilings. I walk through the temple in awe of the hands that made this come to life.

What’s off-putting about not being home at Christmastime is even more wobbly when in a country that doesn’t practice the holiday. “Merry Christmas” is a greeting here, like “hello foreigner,” said with that enormous bright-white smile. I find it endearing and somehow more genuine than the context the holiday has taken in the west. There is this other phenomenon of Indian kids wanting to have their pictures taken with us. If you sit or stand in one place for just a minute or two, you will undoubtedly have one pre-teen or 5 (or their entire family) lining up to pose with you. And so you smile and wonder what happens with these pictures… do they have a contest for who has the most pictures with foreigners? Are they hoping that one of these foreigners turns out to be a celebrity back home? Regardless, it is harmless sport and we indulge.

The temple is closing soon and we continue the journey up into the hills, past scrub desert jungle and trees full of monkey eyes watching our little bus. We land at this jungle oasis, Aranyawas, up in these hills somewhere near Ranakpur. This must be a beautiful place in the summertime – it reminds me of camp in some ways: bonfires and a large mess hall. We celebrate Christmas Eve with dinner and secret santa and fireworks by the campfire. It is freezing. Even if there were hot water, there’s no heat (grateful for blankets!). It is so cold in the beautiful stone cottage that there’s the distinct possibility of turning into a block of ice upon turning off the shower. I will wake up smelling like a samosa.

Night Train to Jodhpur

We survive the overnight train ride with minimal hassle. Tired, kya? (are you tired?) Yes, but will get over it. I feel a glint of a short story brewing here…’Night Train to Jodhpur’… overtired, overstimulated brain working overtime and I can’t wait for whatever comes next.

December 23, Jodhpur: We were lucky to only be about an hour late arriving. Tis the nature of travel – maybe everything – in India. And nobody complains. It just is. So the train adventure was enjoyed to the maximum; bumps, stops, starts, a few cockroackes and dueling loudmouths at 3am make the story more interesting. Western toilets, maybe stinkier than the Indian ones. Chai wallah delivers a brilliant wake-up cup (and fills the travel mug upon request!!), ringing in the day on a perfectly acceptable note. The ride to the Haveli is through water-logged side streets, but the tuk tuks magically sprout rudders and sail us through the muck (no, actually, we get splashed and it is what it is).

I almost expect to see royal carriages in the car park and Maharajas or their attendants lounging in this old royal residence-cum-hotel… The Krishna Prakash Heritage Haveli is a renovated mansion of old, with the decor and architecture beckoning me back to a time and place long, long ago. The hotel sits in the shadow of the large-looming Merhangarh Fort, a palace to the Maharaja of Jodhpur.

View of Merhangarh Fort from KP Heritage Haveli


Merhangarh Fort…In this land of princely kingdoms, Maharajas and Maharanis, you can feel their presence in the air. Maybe it’s because I’m reading a novel set in and around one of these palaces. Maybe it’s because the 70-100′ high walls are imposing and awe-inspiring; the views breathtaking; and the intricate detail in every room and on every surface either a spectacular testament to a Royal’s ego or a manifestation of their impeccable attention to every last detail. Either way, the views of the Blue City from the top were jaw-dropping.

And to (Sadar Bazaar) market we go… there is the story of the fabric seller who weaves his own tales of fame and high fashion and fortune. The spice merchant who carries on her father’s legacy in the spice business. The samosa maker who should win the nobel prize for street food. Same goes for the lassi walla.

So we travel on into the proverbial pink/blue Jodhpur sunset…air resonating with the distant sounds of the adhan, the call to prayer, tuk tuk beeps, cats, drums and train horns. Genuine thali for dinner (need to check if free refills are included in thali back home!), and I have said at least 3 times today, “I can’t believe I’m really in India.”