Zanzibar Part II: Stone Town. Spices. Ivory. Slaves.

[Part I: Pemba Magic]

Early on this Sunday morning, the small plane carries its payload from Pemba back to the relative civilisation of the island of Ugunja where two of its passengers are to spend their last full day in Zanzibar exploring the streets, sights and sounds of Stone Town.

It is something of a sensory overload, this urban-ish smell of more densely-packed humans, the noise and bustle of cars, the barking of street vendors and flurry of tourists galore, compared with the tranquility we’ve just left on Pemba: the sweet fragrance of flowers in the air, a magical carpet of stars in the sky, African nocturnal critters rustling in the bush, crickets and bushbabies our nighttime soundtrack. And playing over in my mind is the hilarity of the prior night’s bushbaby “hunt” involving a baited stake-out, hoping to lure the small beasts with a mango while we hid, cameras peeled and giggles stifled, behind a wall. Meanwhile the bushbabies laughed at us from the trees above and made off with the mango after we got tired of the game and went to bed. A fruitless fruited effort, as it were.

Stone Town is essentially the crumbly remains of the capital of the old Zanzibar Sultinate (crumbles observed literally, as we walked past the blue cheese-like bits of a building that had recently succumbed to time and gravity). Stone Town was a big deal in its day: the hub of the spice, ivory and slave trades in East Africa in the 19th Century. Today the old city it is a World Heritage Site, though its largest industry these days is in catering to tourists.

We’re staying at the Stone Town Café and B&B in the thick of the Shangani section of town; blocks to the waterfront and not far from the two landmarks we’re keen on seeing here: the slave market site and the Darajani spice bazaar. I’ve chosen this place in part because of their work with the Creative Education Foundation, a schooling project that gives a Waldorf education to disadvantaged kids in Zanzibar. Disadvantaged kids back home look like sultans compared with the level of poverty found here. And because music is integral to their curriculum, I’ve brought with me things that can’t be gotten on the island: a stash of recorders (the musical kind) and some yarn for their arts projects at the suggestion of Judi, Stone Town Café’s owner.

Stone Town feels 10 degrees hotter than Pemba, although the thermometer reads virtually the same. So we pack water, have a nice meal of these Tanzanian breakfast chapatis of which we’ve become raving fans (they resemble a delectable cross between crêpe and injera), and take to the streets of Stone Town for our day of sightseeing.

Shops and more shops line the narrow maze of cobblestone streets, and we’re harassed every several metres to buy a souvenir or six. We dodge the crap-sellers (an I ❤ Tanzania mug is not on the liste de courses) by ducking down emptier streets, and wend our way towards Darajani market. Asking directions, we’re led by a guy to the market and find we need to lose him by promising to come to his spice shop later (our mistake: he pops up unexpectedly and repeatedly throughout the day, “you promised to come to my shop but you didn’t…” I would ironically meet his long-lost twin in Istanbul the following evening).

Finally, we reach our destination. Outside, tropical fruits from pineapples to mangoes to rambutan are on display. Inside, my stomach turns as we enter the ‘hall of meat’. The fish section is more interesting (and palatable), as every imaginable fish is on offer. Then we find the spice stands and my inner cardamom goddess dances with joy; I’m on the lookout for the merchant with the freshest-seeming stock. I love perusing the aisles, laden with every variety of local banana, taking in the pungent aromas, the piles of chilies, vegetables, fruits…everything here piques my senses.

I haggle with a merchant for kilos of turmeric, cardamom, cumin, star anise and of course the local cloves. My spice stores now overflowing, we’re off to find a market of a different variety.

Human chattel.

Exotic as Zanzibar sounds, its roots are in Africa’s darkest trades: slaves and ivory. Its spice trade, while sweetening the air, was also mired in shadow. Slaves worked the plantations that grew the spices to serve Omani and European needs. A vicious circle, which only partially ended when the slave market on Zanzibar was closed in 1873. The slave trade continued underground on Zanzibar for decades, and until 1909 in Pemba when those slave markets were closed as well.

Zanzibar was the Arab world’s largest slave market. Slaves were used to transport ivory to the coast, their handlers fetching double remuneration: for both the goods and their haulers. Those not carrying ivory were marched as bound animals, heavy wooden stocks around their necks, hands tied around the beams to thwart escape, from places like the Congo and Zambia. Many perished, some escaped and some were sold or traded along the way. Many others died as they were packed into the hulls of the trading ships bound for Zanzibar’s shores. Bodies of the recently- and not quite-dead were thrown overboard so the slave traders didn’t have to pay duty on their stale cargo. As if this treatment wasn’t inhumane enough, the humans-turned-chattel were then confined to underground holding rooms on the slave market site for days with no food, water or daylight (save a small window carved into a stone wall for ventilation), awaiting auction day. 75 were kept in a single 30 or 40 square metre cell, where many perished in the process. It was said that the strongest (quality merchandise if you will), after surviving the holding room and the requisite lashings while tied to the market’s central tree, fetched the best prices at auction.

An Anglican church now sits on the slave market site. They’ve set up a room inside one of the buildings with a pictorial depiction of Zanzibar’s slave history. Outside, a Swedish artist has carved a sculpture that incorporates some of the market’s original chains and shackles; in seeing these I think that no level of tribute could ever right the wrongs inflicted here. Even the distilled version of the atrocities turn my stomach; I can’t at all fathom what the survivors endured…surely this is the definition of ‘a fate worse than death.’

So with this historical dark stamp on our hearts, we wend back towards the B&B via some quieter roads not taken. We pass the old fort (a plaque is inscribed with ngome kongwe: Oldest Castle), stumble across a wood craftsman’s shop and purchase a couple of miniature Zanzibar chests as mementos, then decide to make a 2nd trip to the spice market (running into and dodging our “you promised” friend again) to haggle anew for a pile of goods to fill C’s spice shelves too. Returning to the same vendor near closing time had its benefits – I think he got the better deal than I.

A monsoon-like thunderstorm heralds our pre-dawn wake-up call, rains so intense that we’re concerned the plane won’t take off. But as we get closer to the airport, the skies clear and we’re shuttled through security for this next leg of the journey that will transport us back to Europe.

As we while away the hours on the flight, my mind replays our adventures in Africa, under and above water. With faraway friends, you must treasure each moment spent with them, as life sometimes gets in the way of life and you don’t know which visit may be your last or when the next will come. 💗

We say our goodbyes at Istanbul airport and my Calvin boards his flight home. And I, with melancholy heart, walk towards passport control to continue my adventures in this old-meets-new city, background music resonating in my head, “Istanbul not Constantinople.”

[Part I: Pemba Magic]

New Year’s in Jaipur: Now is What Matters

Jaipur, in the waning light of 2014. Jaipur is an old walled-in city within a new, bustling metropolis. The charm and the chaos of the ancient Old City market, with its touts and hawkers and fabric/bangle/pocketbook/toy/knick-knack/clothing/shoe/tea/spice/pan stalls is an assault to the senses. You can smell the old city’s streets, hear the horns and bells and calls of the sellers….”meeess, meeess…buy theeess…” You can almost taste the roadside snacks and the grit of the commotion. The colors are explosive, almost fireworks and magic against the dark streets and gray skies. You can feel the frenetic energy vibrating throughout your body. Our contingent of international travellers haggles furiously and we’re pleased with the deals we’ve struck. Kurtis for the night’s festivities. Bags of presents for friends and family back home. We have learned to say no to the hawkers and dismiss the beggars without feeling the shame or heartbreak for not helping those in need.

Reminders of the days of purdah are in every city. The Great Façade that is Jaipur’s Hawa Mahal is essentially a tall viewing stand for the women of the city so they could watch festivals and goings-on in the street without being seen. Stories high, this structure looks like a dainty sandstone fortress rising from the chock-a-block street below. As with many of these centuries-old buildings here, it doesn’t even look real.

The new year’s festivities begin at a local family’s home, where the woman of the house gives cooking demonstrations and serves a magnificent feast for the travel-weary troops. From this and watching the chai wallahs, I’ve learned how to make authentic chai…the real masala tea that contains hand-mashed ginger and cardamom, boiled milk and spices and tea powder and sugar. Pure Indian love poured from a steaming pot. This is one certainty: I will miss this when I return to my western reality. Chai and hand-rolled chapatis, garlicky naan and homemade paneer… I know I’ve passed the Indian spice test when I embrace the mouth-tingling feeling the hand-crushed red chilis add to a masala curry.

              

A Bollywood-ish New Year’s Eve party. We wore bindis and kurtas and Rajasthan-made shoes. We danced to Bollywood hits, drank local beer and laughed. One of my most carefree and light new year’s eves in ages, with balloons and party horns and those clicker things…. the music was loud and it somehow overpowered the horns and tuk tuks and general Jaipur din emanating from the street below. We were a kingfisher-infused motley crew, representing most of the 7 continents. New Year’s has no ethnicity.

Indian men hold hands here. It is for camaraderie and connection and maybe just that nice feeling of holding hands, as there are few women around and also this is a conservative part of the country where public displays of affection are still frowned upon. They also, unlike the States, dance together (Bollywood style)… they all know the moves and if they don’t, well, they make them up. It makes for a wildly entertaining spectacle. Women (en masse) are invited up to dance with the men – much like a summer camp social – and guarded by their male friends, cousins, brothers and (in our case) tour guides. This a horny and male-dominated culture, with Kama Sutra roots. Combine that with a conservative state of mind and there is bound to be trouble. Rapes, violence against women…the dark side of this always-smiling, dancing and singing mass of bodies.

India is loud and in your face. So maybe an even more unique experience than Times Square was this semi-Bollywood celebration of New Year’s Eve. This is India. So just before, or maybe a minute after midnight, as we westerners were checking our phones for the precisely correct time to start the countdown to midnight(ish), the lights and sound went out. The din evaporated. And in that 2 or 4 or 42 seconds that the lights and music were dark, with the smell of bonfires in the air, I realised that instead of counting down a year that was, or to a year that was to be, that a big reset button was pressed.

The night continued on, but it felt like we were in that limbo time between the realities of yesterday and the possibilities of tomorrow. There was no talk of resolutions or unachievable expectations for envisioned tomorrows…there was just that feeling in the air of weightless possibility and a celebration of that which is now… This is India. Regardless of the noise and the chaos and the cows and dogs and monkeys and tuk tuks and trash and bumpy roads and funny little Indian men singing Justin Bieber songs at midnight, there is now and there is light. And as ridiculous and absurd and amazing as this place is, there is this pervasive feeling that Now is what matters.