Day 1: Arrival and the beginning of a mini-adventure, in which I meander from Termini (station) to Forum (B&B), arrive in awe of the sheer magnitude of the architecture, and wander about the crowded streets that divide the Fora and lead the throngs to and from the Colosseum.
The evening before, I had boarded a British Airways 747, my frequent flyer miles and some manipulation of schedules landing me in a Business Class seat. A multi-pronged luxury it was, as the past 3 months had been a whirlwind of work and little sleep, resulting in an unintentional avoidance of adulting, and a lack of attention to detail on the home front. When you get home, you’ll have to deal with it all, a somewhat-envious inner voice reminds. That noted, I feel only a bit guilty at the indulgence and glad to leave the gray December New England skies behind if only for a few days.
I arrive groggy, from both a short night’s sleep and more than enough vino plied by the nice airline folk. A Roman day with its crisp and clear blue sky greets me, tho; the relative warmth already seeping into my pores.
Arrival is always a little overwhelming; not knowing the way, the landmarks, the language… It’s mid-afternoon on New Year’s Eve eve, my first time in Rome and I’m still semi-embarrassed because it’s a rather frivolous way to end one year and herald in the next. I’m here a day early to shake jetlag and get my sea legs before I meet my co-hedonist. I navigate the uneven Roman streets from Termini station towards my B&B, thankful for Google Maps to guide me because I’m too frugal (read: aghast) to pay the 60€ for a car from the airport. This is a marginally longer commute, but I rather like walking and it’s a nice way to get immediately immersed in a new place on arrival.
I’ve been warned enough of the pickpockets here from the travel blogs I’ve read and all the signage everywhere… Is it such a rampant problem, I wonder, or are they just stoking visitors’ anxiety around being in a Foreign Place? Foreign, being a relative term, as it looks more foreign to me than it actually feels. Decidedly European, I decide on first impression; confirmedly ancient, I then observe, as the Colosseum leaps into view when I turn a corner towards my hotel. There it looms, large and impressive at the end of the via. Another corner, and 3 columns of one of the Fora materialise at the end of the street. Cobbled steps, a fountain (one of hundreds that are scattered throughout the city) flowing with clean, fresh water. 10 more metres and I’m at the B&B, where I see my first ruin up close.
I arrive also without much of an itinerary, save a map I’ve bodged together to mark recommendations from friends and sites that look too good to miss. It’s in the spirit of getting the lay of the land that I set out to wander the neighbourhood to keep occupied and awake enough until proper bedtime*.
Real first impressions: it’s crowded, where crowded is an understatement. I start the journey a little off-put if I’m honest. I don’t want to spend our precious days here waiting in line alongside tour groups. I chalk up the looming mood to cranky, hungry, tired, travel-weariness. But the sites so far are breathtaking: the Colosseum at dusk, the Foro di Augusto glowing in the evening’s light; the Roman Forum across the way; the 35-metre tall Colonna Traiana, with its comic book-looking depiction of the wars between the Romans and Dacians spiralling up its length; the magnificent Typewriter building, the Altare della Patria, whose imposing stature dwarfs the other wonders in this area.** Non male, as they say, for the first few hours…tomorrow, I explore!
Throngs and wonders, a big dome with a hole in it, a creepy crypt, and things that go ka-boom in the night
Day 2: Before C arrives, I’ve got about 5 hours to see some of the sites I’ve plotted on my map. First, it’s the Pantheon – not to be confused with the Parthenon (Athens) or the Panthéon (Paris)! 😂
Like many monuments, the Pantheon is a former Roman temple that now serves as a church (I take a heathenistic moment to ponder whether there are enough congregants for the astounding number of churches in this city). One of the factoids I’ll learn this week is that the dome of the Pantheon is the world’s largest unreinforced concrete dome. The astounding fact to me, tho, is that it was built in 126AD and still in pristine condition! And as if to out-do all other fountains I’ll see here, the one in the Piazza della Rotunda is a wonder in its own right.
Speaking of fountains: toss a coin over your (left) shoulder (with your right hand) into the Trevi Fountain, and it will ensure a return trip to Rome (more coins assure both romance and marriage). And over 1m € per year are thus tossed. I’ve read that the €s go to the needy. I’m not hard pressed to fling coins, but I’m pressed hard as I squirm my way to the fountain’s edge, disenchanted by the throngs by the time I’m down there.
On the way to the Pantheon, though, I passed a man playing what I surmise is a hammered dulcimer. He’s set up in front of an elephant bearing an obelisk that sits in front a nondescript church. It’s the little wonders, I remind myself, and not necessarily the big attractions that are some of the most memorable.
After Trevi, I find I’ve still got time, so I head towards the Spanish Steps (when in Rome…). These 174 steps run from the Bourbon Spanish Embassy to the the Trinità dei Monti church and are the darling of many a famous movie and song. More fountains; ditto, the throngs: it’s because of the latter that one cannot see any actual steps, and for just a moment I wonder if I’ve mis-stepped in coming here.
Fleeing the masses, I point my GPS in the direction of an Atlas Obscura oddity: the Santa Maria della Concezione Crypts, or the Crypts of the Capuchin Friars. This ossuary rivals that of the Catacombs in Paris; what it lacks in grandeur it makes up for in creativity. Suffice to say that the artiste took creative liberties in arranging not only the stacks of bones (some 4000 skeletons are (dis)assembled here), but also the various bodies in repose (fully-frocked Friars) and flight (child-sized bodies looking down from the ceiling; skulls with scapula-wings). The walls and ceilings were covered in mandalas and chandeliers, each surface laden with myriad symmetrical designs, all made from individual bones and carefully arranged in gruesome patterns that affected something of a moribund paint-by-number display.
As I wend my way back, I stumble across the We Run Rome road race and flash a 2019 goal to do a 10k (we’ll see!). But first, it’s Pizza for lunch, a trip to a local wine and cheese shop for aperitivo supplies and then back to the B&B to get ready for New Year’s festivities.
Ringing in the New Year, Roman style!
Italians eat dinner late. So an 8:30 dinner is on the early side, but we’ve managed to find some fantastic melanzane parmigiana at a little local place in the piazza near the B&B. New Year’s Eve, thus far: Prosecco and Parmigiana. Next stop, Pyrotechnics.
I’m not a fan of huge crowds or wild New Year’s Eve parties. But since it’s my first in a European city, la Fiesta di Roma is on the docket. It takes place in Circo Massimo (Circus Maximus), the grand sports stadium where they once held chariot races and Ludi, festivals for the gods. In its day, the capacity was 250,000. Tonight, I’d estimate there’s 50,000+ modern Romans. We listen to the weird music, watch the bizarre dance and aerial show (a tribute to the ludi of yore?) and ooh and ahh over the fireworks display over the ruins of the Palatine palace. It may be the most dramatic setting for fireworks I’ve ever seen.
The festival goes for 24 hours, but 2am feels like we’ve been up for a week. We make it long enough to purchase a bottle of bubbly from a street vendor (C’s post-midnight haggling is impressive!) and toast to goals and future adventures.
*Jet lag avoidance tip #1: when travelling East, stay up as long as possible the day you arrive, so you go to bed at proper local bedtime in an attempt to fool your body into waking up at a moderately human hour the next morn.
**Among other nicknames for the monstrosity are la dentiera (the dentures, in reference to its white marble in stark contrast to its surroundings) and la torta nuziale (the wedding cake).